Use case · Short films

A short film is a film. Make it like one.

Not a folder of clips — a film. Script, cast, locations, board, takes and cut live in one project graph held by one scene memory, so a change anywhere ripples everywhere it should and the picture still holds.

The pipeline

The whole pipeline, one project.

Five stages, each carried by a module you can open right now.

01

Start on the page

Grow a premise into an outline, then real pages in production format. Branch for rewrites; the script stays the source.

Story & Screenplay
02

Cast it

Lock each character's identity — face, build, gait — and manage wardrobe per scene. The same person in scene 1 and scene 47.

Character Studio
03

Build the locations

Construct your locations as navigable 3D worlds. Dress the set, place the light, block the scene with a virtual camera before generating anything.

3D Worlds & Stage
04

Board it, shoot it

The board syncs from the script; every shot arrives knowing its scene, cast and world. Generate takes with that context attached.

Storyboard → Shots → Cut
05

Cut the picture

Takes return as versioned assets on their shots. Assemble the cut, swap takes, deliver the film.

Storyboard → Shots → Cut
Paper-cut collage of a film strip unfolding from a written page into characters and a lit scene
What you get

A film that holds together.

Continuity isn't a retouch pass here — it's how the project is built.

01

One scene memory

Scene headings wire the script to worlds, light and cast — INT. BRICK HOUSE — NIGHT means the same thing everywhere it appears.

02

Continuity by construction

Cast and locations are locked assets, not lucky prompts. The same face, the same room, scene after scene.

03

Rewrite without rubble

Change the script and the change ripples to the affected shots; the rest of the film holds.

04

A crew when you want one

Summon the agent crew — screenwriter, producer, canvas operator — reading live project state, acting only with the autonomy you grant.

Public Alpha

Bring one film into the graph.

Start with a premise, a screenplay, or a folder of references. We'll set up your provider keys and walk through the first scene with you.