Storyboard auto-bound to the script
Panels sync from the screenplay and inherit the scene's characters, world, props and beat. Re-order, split, drag panels in — scene memory stays consistent.
Production · Storyboard → Shots → Cut
From storyboard to final cut, on one timeline.
A shot isn't a prompt — it's a position in a pipeline. The screenplay seeds the storyboard, the storyboard seeds the shot list, and every take returns to the project as a versioned asset, ready for the cut.
Capabilities
You direct. You don't transcribe.
Each shot is a composition of scene context, cast variant, world, lens, references and constraints — assembled for you, sent to the right model.
Key-scene direction
An LLM director reads the scene and proposes the shot list: coverage angles, lens choices, blocking notes. Keep what works, redirect what doesn't.
Context-attached prompts
Build shot 14B and the prompt is half-written: scene heading, cast variant, location, lens, constraints — auto-attached. You add direction.
Multi-route takes, side by side
Send the same shot to Veo, Seedance and Gemini in one click. Compare in the project, keep one; the rest stay in version history with comments and approvals on each take.
Workflow
How it works
01
Sync the board
The screenplay seeds panels with characters, world and beat already attached.
02
Build the shots
The key-scene director proposes coverage; Shot Builder hands you briefs that know the scene.
03
Compare and cut
Pick takes across model routes and assemble the cut in Clip Composer.
Keep exploring
The rest of the pipeline.
Public Alpha
Bring one film into the graph.
Start with a premise, a screenplay, or a folder of references. We'll set up your provider keys and walk through the first scene with you.