Build the world
Start with the place the song lives in — a rooftop, a chapel, a flooded street. Build it as a 3D world you can walk, light and reuse for every setup.
Use case · Music videos
The song already has a world. Build it.
A music video is a place, a performer and a rhythm. Build the location as a navigable 3D world, hold the performer through every look, perform the moves yourself with phone capture — then cut the picture to the track.
The pipeline
From track to picture.
Five stages, each carried by a module you can open right now.
3D Worlds & Stage
Cast the performer
Lock the performer once and run a look per section — verse look, chorus look, same face throughout. Identity holds; wardrobe moves.
Board the visual beats
Map the track to panels — verse, pre, chorus, drop. Each section gets its shots, and every shot knows its scene, cast and world.
Capture the performance
Perform the moves yourself and capture them with a phone — markerless, down to the fingers — then watch the retarget land on your character on the 3D stage.
Cut to the beat
Takes return attached to their shots. Assemble the cut against the track and swap takes until the picture hits where the music does.
What you get
The video the track deserves.
What holds a music video together across looks, locations and edits.
A look per section
Wardrobe changes between verse and chorus; the performer stays the same person. Variation is managed, not re-rolled.
Locations that reuse
The world you build for the chorus is still there for the reprise — same geometry, new light.
Camera as choreography
Block the moves with a virtual camera on the 3D stage and export real 6DoF camera paths to the video models.
Performance, not prompts
Phone capture turns your own movement into the character's — a performance you directed, not one you described.
Public Alpha
Bring one film into the graph.
Start with a premise, a screenplay, or a folder of references. We'll set up your provider keys and walk through the first scene with you.