Branches and revisions
Cut a branch for an act-2 rewrite, work without touching the main draft, merge or abandon when you're done. Compare any two branches inline; promote one to canon when ready.
Writing · Story Room + Screenplay
Your screenplay is the source. Not a chat thread.
Two rooms for words. Story Room holds outlines, loglines, bibles and beats; Screenplay Room is the production-format editor your crew already reads. Every page knows its episode, its scenes, and the beats it sets up.
Capabilities
A living document, not a static draft.
Move a beat in the outline and the right scene moves with it. Here's what stays attached to every page you write.
Industry-standard revision colors
Blue, pink, yellow, green — the WGA revision sequence is built in. Each revision generation gets the next color automatically, and the gutter, page edge and rail all carry it.
Scene headings that link the production
INT. BRICK HOUSE — NIGHT isn't just text. It links to the brick-house world, the night lighting rule, the warm-key reference plate — and a change ripples to every related shot.
Outline → screenplay → storyboard
Start at any altitude. A two-line premise becomes a five-act outline, a 90-page screenplay, a board of panels — each auto-bound to the right scene, characters and world.
Workflow
How it works
01
Shape the story
Drop a premise in the Story Room and grow it into loglines, bibles and a beat sheet.
02
Write the pages
Draft in real screenplay format, branch for rewrites, keep revision colors straight.
03
Send scenes downstream
Scene headings feed Character Studio, the 3D stage and the storyboard automatically.
Keep exploring
The rest of the pipeline.
Public Alpha
Bring one film into the graph.
Start with a premise, a screenplay, or a folder of references. We'll set up your provider keys and walk through the first scene with you.