The cut arrives as a cut
The first sync creates a Resolve timeline at your project’s frame rate, with every clip at the right position, in and out. Not a bin of files — an edit.
Making the film is half the job; finishing it is the other half. The MML ONE sync plugin pulls your timeline into DaVinci Resolve as a real timeline — media downloaded and relinked locally, changes previewed before they apply. Resolve 18.5 or newer, Free or Studio, on macOS, Windows and Linux.
Pair once with a six-digit code. From then on, every sync knows exactly what changed — and what it must never touch.
The first sync creates a Resolve timeline at your project’s frame rate, with every clip at the right position, in and out. Not a bin of files — an edit.
Generated takes download to a local project folder and relink automatically. Once synced, the media is on your disk — keep cutting offline.
Every sync shows added, modified and removed counts before you commit. Transform and volume updates apply in place so your grade survives; re-applied clips are flagged yellow, removed ones marked red — never silently deleted.
Devices pair with a six-digit code and hold a token scoped to project listing and timeline reads. Revoke any device from Settings at any time; on Windows the token is DPAPI-encrypted, on macOS and Linux owner-only.
Assemble the episode in the clip composer — takes, audio, timing.
Install it in Resolve, click Pair, and enter the six-digit code from Settings → Resolve sync.
Preview the change set, apply, and pick it up in Resolve — grade, mix, deliver.
Start with a premise, a screenplay, or a folder of references. We'll set up your provider keys and walk through the first scene with you.
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